That Drifting Excrement Was Way Too Symbolic! It's the Television Disappointments of the Year.

Looking back, we reflect on the TV offerings of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the programmes that had us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful scripts, cringe-inducing arcs (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to find its footing. For a moment, as the final series began, it seemed as if it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too symbolic. Still, viewers certainly found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the least of this show's issues. The recipient of a exceedingly uncommon no-star assessment, it was hard to know where to begin listing the flaws. The hilariously leaden dialogue? The mind-numbing glorification of affluence and materialism? The almost wilful procession of cliches? Acting so bad they felt borderline spiteful? Let’s just say “all of the above” and never speak of this show again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this three-part docuseries which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to suffer close contact with this charismatic but dismissive narcissist.

The Supercomputer Drama

Of course we understood it was preposterous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ended up hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is harsh on the gangland dramas of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to accommodate baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over drug-selling territory between various London picaresques which felt a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s televised ventures into quaint lifestyle as intentional statements. But then you view them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be said about regarding Victoria Beckham and her struggles with career, self-image, self-worth. But for some reason, this three-part series chose not to explore them. Instead, the viewing was akin to reading a marketing catalogue. She obviously has every right to resent what she describes as her “stern” image. But unfortunately, she didn’t do herself any helps with this cagey non-event of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star playing dead and a sharp-tongued personality overseeing her estate. What more could you ask for? As contestants battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up reeking of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How do you follow a show that captured a generation? The pressure was enormous for this glitzy romcom about Jessica, a hopeful New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, ironically, was insufficient. Plus, the sheer amount of famous cameos involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘patchy’.

Given the smart inclusion of gifted emerging comics, hopes were high. But sadly, most of it fell flat. A recurring sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Very much so.

Prime Target

We love the lead actor … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services targeting – and killing off – intellectuals frankly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for explicit escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was far greater interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to drag her son away from the queue. What we got was horrific imagery and absolutely no interrogation of her infamy whatsoever. And to think, the documentary-maker has a teenage daughter too.

Kristin Diaz
Kristin Diaz

Award-winning journalist specializing in global affairs and digital media trends with over a decade of international reporting experience.